My Art History
I began painting in my originally preferred medium – watercolor – in 1967 during my second year at Dartmouth College. To my surprise a local Hanover, NH gallery almost immediately approached me offering to display my paintings, and within a year, to both their delight and mine, I had developed a pretty extensive list of collectors. Besides welcoming the unanticipated income, I fell completely in love with the process of sketching the structures and landscapes of New Hampshire and Vermont and then translating the sketches into finished paintings.
As a bonus, my observations of nature and subsequent painting seemed a perfect compliment to my chosen major in Biology specializing in Ecology and Evolutionary Biology. I began to look at almost every landscape or view of the landscape as a possible subject for a painting, unconsciously rearranging and filtering elements of the scene and how light hits them to compose the design to impart the most visual impact.
My ultimate motivation for painting has always been my intense desire to share the beauty and unity of the natural world. I want people to feel the same joy and excitement that I do when a beautiful scene suddenly pops into view. I love exploring how the sun spotlights a rocky headland with an orange glow in the late afternoon as the fog rolls in, or how noon-time backlight creates blue-purple shadows under the sedimentary rock ledges of a Southwestern mesa.
I invite you travel with me through time and location as you view my work over the last 40 years by clicking on the (very rough) categories on the main menu bar.
Thank you for looking!
Scott Anthony – Pacifica, CA
Brief Art Biography
- Live/work San Francisco, 1974-2006, Pacifica, CA 2006-present
- Media include oil, watercolor and acrylic
- 30 Silkscreen Print editions 1980-1986 for Palm Editions and Fidelity Arts of Los Angeles
- Signature member of National Watercolor Society, 1978
- Elected Life Member of the New Jersey Water Color Society, 2009
- Signature member of the National Society of Painters In Casein And Acrylic
- In over 3000 corporate and private collections including Union Bank, VISA Corp., Del Monte Corp., Kaiser Permanente, and many others.
- Represented by:
- Home Decor Shop and Gallery, Hanover, NH 1968-1974
- Swain’s Fine Art Gallery, Plainfield, NJ & Morristown, NJ 1971-1975
- The Ragged Sailor, Tiburon, CA 1974-1975
- Maxwell Galleries, San Francisco, CA 1976-1984
- Richard Mann Gallery, Los Angeles, CA 1979-1982
- Fidelity Arts, Los Angeles, CA 1982-1987
- Piedmont Lane Gallery, Oakland, CA 1987-1989
- Black Bear Gallery, Mt. Shasta, CA 1999-2001
- Robert Beck Gallery, San Anselmo, CA 2011-2013
- Prentice Gallery (prenticefineart.com), Mendocino, CA 2020-present
- Coastal Arts League, Half Moon Bay, CA 2021
- Recent Solo Shows:
- 2014 – A Grape In The Fog, Pacifica, CA
- 2014-2015 – Bamboo Hair and Body, Half Moon Bay, CA
- 2016 – A Grape In The Fog, Pacifica, CA
- 2016-2017 – Bamboo Hair and Body, Half Moon Bay, CA
- 2017 – Palo Alto Men’s Club, Palo Alto, CA
- 2017-2019 – Various weekends at 337MiradaArt, Miramar Beach, CA
- 2018 – Palo Alto Men’s Club, Palo Alto, CA
- Miscellaneous Awards and Recognition
- Purchase award, National Watercolor Society Annual, 1976
- “In Memory Of Ada” award, National Society of Painters In Casein and Acrylic, Salmagundi Club, NY, 1980?
- 1st Prize, Louisville (Colorado) Art Association Annual, 2007
- 2nd Prize, California Watercolor Association, LIndsay Dirkx Brown Gallery, San Ramon, CA , 2013
- “North Coast Beach” awarded Best Overall Acrylic in the June/July 2015 bimonthly PleinAir Salon competition.
- “Sonoma Coast” Best Overall Acrylic award in the August/September 2015 bimonthly PleinAir Salon competition.
- “Near Mono Lake” Best Overall Acrylic award in the October/November 2015 bimonthly PleinAir Salon competition.
- “Castle Lake Evening” awarded Best Overall Acrylic in the December 2015/January 2016 bimonthly PleinAir Salon competition.
- Finalist Honorable Mention with cash award for “North Coast Beach” at the 5th Annual PleinAir Convention, Tucson, AZ, 2016.
- “North Coast Headlands” awarded Best Overall Acrylic in the April/May 2016 bimonthly PleinAir Salon competition.
- “Montara Morning II” awarded Best Artist Over 65 in the February/March 2018 bimonthly PleinAir Salon competition.
- Two acrylics included in AcrylicWorks 5 annual, 2018.
- Two acrylics selected for AcrylicWorks7 annual, 2020.
- “Nukdik Point, Haines” Best Water award, April 2020 PleinAir Salon competition.
- “Nukdik Point, Haines” First Place peoples choice award, Coastal Arts League, Half Moon Bay, CA July 2020
- “North of Sitka” Best Landscape award, June 2020 PleinAir Salon competition.
- “Calm Afternoon At Mendocino Point”, 3rd Place Overall, PleinAir Salon competition, April 2021
- “Golden Glow On The Coast”, Best Water, PleinAir Salon competition, August 2021
- “Morning Light On The Headlands”, Best Artist Over 65, PleinAir Salon competition, August 2021
Hi Scot
I saw your post from 2017 on Liquitex Modular colors and thought I would drop you a line. I went to the Alberta College of Art I Alberta Canada in the early 1960’s and used this system exclusively. I went forward in my art career in fine crafts and became a potter. I established Pike Studios in 1971 and My wife and I have made a full time living for the past 50 plus years. I had to switch my process from pottery to metal sculpture due to allergies. As I’m now 81, I have thought of changing back to doing some painting and lightening the load from all my heavy equipment. I dug out my Liquitex modular paints from art school and, low and behold 75% of them are still usable after 60 years. I never would have thought it possible. It’s a great system for learning color mixing and too bad it never took off. I love your work.
Thanks Bob, and happy to hear that the Modular Colors are still usable. I still have a few tubes as well!
Hey
How are you doing today ? Am George Josh from Richmond Indiana,I love your work, do you have a price list I can see or any available artwork at the moment?i would like to purchase some of your arts as a surprise gift to my wife in honor of our upcoming wedding anniversary .As a matter of importance, I would also like to know if you accept check as a means of payment .i await your response
Best Regards
George…
Dear George,
Thank you for your interest. There is no price list for my work since all available paintings are clearly marked with price if you click on the “thumbnail” image.
I am sorry, but I only accept PayPal for payment. This is to avoid disgusting scammers with whom I have, unfortunately, had some unhappy experiences.
Scott, three years ago I seen the watercolor online you did of Adobe Mesa in Castle Valley Utah, and it was remarkable. Your paintings are remarkable. I have visited the Castle Valley site a couple of times and want to paint Adobe Mesa. Adobe Mesa symbolizes a perfect landform formation, an “ icon”. I noticed you paint the north CA coast often. I grew up in Fort Bragg and in 1970 sold some watercolors in Mendocino but haven’t painted since then other than doing a few silkscreens. Your work is powerful… you are a painter’s painter and even though I’m 75 I’m going to start painting again. I just visited your website, it’s very good. I appreciate what you say about paintings shouldn’t be a commodity, so much garbage is marketed as art, i.e. Bob Ross and Thomas Kincade. The dude that found a painting of yours at the salvation army is clueless like most people when it comes to understanding what art is. rh
Thank you so much Rick. I am very pleased that you will be taking up painting again. Never too late!
Hi, I lived in the bay area for several years in the 70s and 80s. I was married in 81 and had our reception at a small art gallery/resteraunt on fisherman’s wharf. I have a signed print of Pt Reyes of yours, I believe, that I recieved as a wedding present from the owner of the gallery. Its been with me ever since, (unlike that husband)…lol
It always has hung in a place of prominence in my household, and still does. I love it, and will give it to my oldest son one day. Thanks for many years of enjoyment.
Hi, Scott –
I’m trying to buy your “Hot Cookies” download album but I’m having trouble. When I click on your PayPal button, I get either PayPal’s home page or a PayPal page trying to get me to buy Cryptos, whatever they are. I don’t get the PayPal payment page I’m familiar with or any links to a credit card to pay with.
Awhile back I was having trouble buying your “Ragged Oldies” download, and you said you had to add some code, and then it worked perfectly. I wonder if that’s the case now.
Thanks.
John Arimond (formerly of Chatham, NJ, now of Mt. Pleasant, SC.
Hello John, I think I fixed the problem. Thanks for letting me know.
I think I may have one of your paintings and would like to send you a pic to see if you are the artist.
Thank you Yolanda, that would be great. I will email you so you will have my email.
I also have an older one of yours.My mother was Jean Ballin, owner of Home Decor in Hanover.
Diana, I think of your mother and father frequently and how, especially your mother, really got me started 50 years ago! She was unbelievably supportive and generous. I remember being asked to dinner at their beautiful farmhouse home in Norwich. I think they might have just completed remodeling/restoration it at the time. Is that place still in your family?
If “thank-you’s” can cross generations, thank you for them and thank you for reaching out.
Hello Scott! I just stumbled on a comment of your from 2017 regarding Liquitex Modular Color, while I was thank a friend for a recent gift of a first edition of Albert Munsell’s 1905 “A Color Notation” from which Nathaniel Jacobson, tudent of Munsell’s at Mass Art, developed (and patented) the idea of equal value tubing of paint which became Modular Color. I know this because I was Jacobson’s assistant from 1973-76 and was instrumental in the development and promotion of these acrylic—and later oil—paints. I’ll be happy to discuss any or all of this with you. I, like you, am now painting. Much to discuss!
Hi Scott!
If I wanted to come to your next show or see your works available for sale, how best can I arrange that?
Hello Barrie,
I will add you to my artwork Google Group. That way you will get any notices of upcoming shows. Thanks for your interest!
Just found a CD by you and John Gill, Ragged Oldies and am enjoying it. Apparently I have only part of the package, Rags and Other Old Tunes (A), and there’s a second CD, All By Myself (B). Any of those part Bs available. And maybe you’ve some more recent recordings; any available?
Yes, lots of recordings available as mp3 on the old Golden Gate Rhythm Machine website – santhony.com/ggrm/records.html The “Ragged Oldies” at the bottom of the page is a combination of the “Rags And Other Old Tunes” LP (and later CD) plus the “All By Myself” tape. We only have mp3 downloads available now. It no longer makes any sense to order 100 or 500 CDs just to have them lying around in the garage for years.
I saw your “Coastal Valley Silkscreen” – (Silkscreen on paper, 1980, 24″ X 18″) Out of Print in a thrift store. I am thinking of picking up. I’m a amatuer photographer and this reminds me an area around Davenport, Calif along the coast. Am I close? Of course this could be anywhere along the northern coast of Calif. I enjoyed looking at your work. You do capture the beauty of the landscape. Thank you.
Hi Scott , I first saw you painting in the book ” Acrylicworks 5″ and looked up your website. I love your work!!!!
I am an artist in Virginia an I usually paint in Oil but am now trying to switch to acrylics because I like the vibrancy and the quick drying time. Do you ever offer any workshops ?
Hello Zohair,
Thank you for your comments. I am very happy to get good “strokes” from new fans!
It is amusing that you are trying to switch from oils to acrylics and I have recently switched mostly from acrylics to water-miscible oils!
I really have not thought about doing any workshops for a number of reasons. First, my current studio is a very small back bedroom of my house and relocating everything that I would need when painting temporarily to an appropriate workshop location would be almost impossible. The closest thing to a workshop that I can think of would be to take a series of photos of the sequence of stages while doing a painting. I actually started to do this for a recent piece, but kept forgetting to take the photos of any of the stages and wound up with just a single one – not very instructive! Maybe my next piece will be entirely acrylic and I’ll record the stages more faithfully. Stay tuned!
Thanks again!
I just read a post by you from 2017 on Liquitex Modular Color Acrylics. I just found a stash of them from my mom who was an avid painter in all mediums but died a few years ago. I’ve already donated all her oils and watercolors and just found quite a few of these paints. Some don’t look like they’ve ever been opened. All are soft and pliable. Anyhow, I’m donating them to anyone who will pay the shipping for them. I live in Salt Lake City Utah. Let me know if you or anyone you know is interested.
I noticed you posted years ago about liquitex modular acrylic paint. I have a bunch that came with box of regular acrylics i bought at yard sale. Cant find any info on them. Are they used the same as regular acrylic? Thank you
Yes, the Liquitex Modular acrylics are used in the same way as any other acrylic. They range of colors available was unique, however, in that each color’s basic “hue” was pre-mixed with either white to make it lighter in value or probably black to make in darker in value. Each was assigned a value from 1 to 10 (black to white) which made mixing colors of the same value especially easy. I think that Liquitex still shows each of their colors’ value somewhere on their tube label, but most of the original modular colors were discontinued.
Thanks for your comment!
A vision cried out in the wilderness. Thanks for all these decades of art–and music!
Faulkner sent me the notice of your work being selected for display at the PleinAir show in April I was dumbfounded to see your exceptional work. And who would suspect that a ?? banjoist ?? (of note) would be capable of using a paintbrush? ‘My sincere congratulations to you Scott Anthony.
Sheafe Ewing
(Rossmoor and member of our Rossmoor Dixieland Jazz club)
Scott,
You won’t beleive my good fortune. Today, on the 4th of July, as I was taking out the recycling I noticed a large picture frame with a beautiful watercolor litho of what appears to be a scene of a bay you would see in the New England. Row houses are in the background at a distance. A few row boats in the bay lay ancored.
My curiosity got the best of me so I took it inside and as I removed the old frame and a verty dirty and cracked glass I saw your name and that it was print 126/300.
I’d love to know what it is, and when you may have created it. I’m happy to send you a digital picture of it. Leo
Very nice! Lg Sompit Kuhr Schlüsseldienst Stuttgart Sesam Libanonstraße 85 70184 Stuttgart Telefon 0711 75888447 http://www.sesam-schluesseldienst.de
I hope my inquiry results in our meeting
Hello Patrick, I emailed you directly. Thanks!
I’m from Fort Bragg, California right by Mendocino. I recently began working in a small community hospital outside of Chicago and there are 2 of your paintings hung in the main hallway. I immediately recognized them to be the north coast beach and the town of Mendocino on top of the headlands! I really miss home, so to see your paintings on a daily basis brings a smile to my face and reminds me of home. Beautiful!
Thank you, Sandra, for letting me know and for the nice compliment. Those are actually silkscreen prints that you can also see by clicking on “Serigraphs” in the menu here.
I Have a beautiful print,1985 watercolor titled the Marshall, do you have any information on this piece of art, and what its value is now. thank you
My print “Marshall” is viewable under the “Serigraphs” menu. Marshall is a small community on Tomales Bay, about 30 miles north of San Francisco. The print was done based on a watercolor sold a long time ago through my print edition publisher, long out-of-business, Fidelity Arts. The current value is visible at the bottom when you click on the thumbnail.
Scott: The American Rag is a much-improved publication and has a new name: The Syncopated Times. I have submitted the following story for the March issue.
Lew Shaw
Multi-talented Scott Anthony
Jazz fans know Scott Anthony as the leader and banjoist-guitarist of the Golden Gate Rhythm Machine and a key member of Bob Schultz’s Frisco Jazz Band. Previously he was the intermission entertainer at Turk Murphy’s club, Earthquake McGoon’s for eight years. Of late, a talent he developed in college has brought him renewed recognition and honors as a graphic artist specializing in watercolors, acrylics and serigraphs.
As Scott explains on his website (www.santhony.com/wordpress/, “I began painting in my main, preferred medium – watercolor – in 1967 during my second year at Dartmouth College. To my surprise, a local Hanover, NH gallery almost immediately approached me offering to display my paintings, and within a year, to both their and my delight, I had developed a pretty extensive list of collectors. Besides welcoming the unanticipated income, I fell completely in love with the process of sketching the structures and landscapes of New Hampshire and Vermont and then translating the sketches into finished paintings.”
“As a bonus, my observations of nature and subsequent painting seemed a perfect compliment to my chosen major in Biology specializing in Ecology and Evolutionary Biology. I began to look at almost every landscape or view of the landscape as a possible subject for a painting, unconsciously rearranging and filtering elements of the scene.”
North Coast Beach (acrylic on hardboard 2015, 12″ X 16″)
“Best Overall Acrylic” PleinAir Salon Competition, June/July 2015 (PleinAir Magazine)
“My ultimate motivation for painting has always been my intense desire to share the beauty and unity of the natural world. I want people to feel the same joy and excitement that I do when a beautiful scene suddenly pops into view. I love exploring how the sun spotlights a rocky headland with an orange glow in the late afternoon as the fog rolls in, or how noon-time backlight creates blue-purple shadows under the edge of a desert mesa.” – L.S.
# # #
Thanks, Lew. I really appreciate it.
Just saw your acrylic “Sonoma Coast” in Plein Aire magazine. Is it still available?
Hello Bruce, Just replied via regular email. Thanks.
Greetings!
My name is Howard welbeck from SC. I actually observed my wife has
been viewing your website on my laptop and i guess she likes your
piece of work, I’m also impressed and amazed to have seen your various
works too, : ) You are doing a great job. I would like to receive
further information about your piece of work and what inspires you. I
am very much interested in the purchase of the piece (in subject field
above) to surprise my wife. Kindly confirm the availability for
immediate sales.
Thanks and best regards,
Howard
Thank you, Howard, for the inquiry. I am happy you both like my work.
When you click on any of the thumbnails of my paintings, a larger image will “pop up” with title, size, medium and availability at the bottom. If a painting is available it will show a link to open a page with a larger view of the piece, a description of the painting, and a PayPal “Buy It Now” button on it. I only use PayPal, which is very safe, for payment and USPS for shipping unless a buyer is a friend or someone I know personally.
Amazing that Howard and Max have said exactly the same thing to you and to me. Don’t you just love these scammers?
I am the editor for the non-profit Memphis (Tennessee, USA) and Germantown Art League (MGAL) newsletter. The newsletter is published monthly for approximately 150 artist members and features local art news as well as photos of historical and contemporary paintings, sculpture, and photography. Publication is by electronic means for all but a few members who do not have computers. With your permission, I would like, from time to time, to include images of your work to increase our membership’s awareness of your accomplishments. If you will kindly grant your permission, I will copy images from your Facebook profile, website, or blog for insertion in the newsletter. The images will not be changed in any manner. You will be given credit for each of your images, and a hyperlink to your website or Facebook page will be included. You will not have to do anything. The current issue of the newsletter is attached for your review. Note the page listing featured artists already having given their permission to allow publication of their work. Please let me know by return comment if I have your permission to include images of your artwork in the MGAL newsletter.
Thank you for your consideration.
Gary Gibson
if you will provide and email address, I will send a pdf of the latest newsletter. Thanks.)
Gary,
Thank you for your comment. I would be honored to be included in your Art League newsletter. Permission to use any images is a definite “yes.”
Hi, Scott
We just bought an oil painting from a friend and art professor at Dartmouth. In the process of rearranging our art to make a space for it, my wife and I talked about a watercolor we love that hangs over the mantel above our fireplace. It is a New England winter scene with house and barn. It is signed by you and dated 1972. I would love to know more about it. We bought it soon after making New England our home, sometime around 1975. We have always loved that painting. Let me know if I might send a photo of it.
Hello Bill,
I am always happy to know where my work has wound up and that folks enjoy it. I would also enjoy seeing a photo of your painting. I am pretty sure you can post it here in the comments section. Thanks for the nice note!
I have a lithograph s/n ed 200 that you created. Do you have others? Would like to send you a text photo, maybe you can provide me insight. Thanks
Hello Richard,
What you have is a serigraph (silkscreen print), not a lithograph, a printing process I never tried. You can view all 32 of my print editions here. Just click on the menu heading “Serigraphs.” Thanks for commenting!
Excellent site merci
My husband bought 6 of your water colors at the gallery in Hanover many yearsago . They have brought great pleasure. Now our granddaughter is going to Dartmouth.
We came to see you in SF and bought a lithogph and heard you play the bango at a
place down at the warffe. I am sure the spelling is terrible. Never astrong suit and
I am not very good onthe computer. I am living in GA now. It is wonderful to look at
your paintings and remember how much we loved New England where our forebears came from.
Thank you for your skill and sharing it. Stefannie Coggeshall
Thank you, Stefannie, for your nice comments. I am very pleased to know that you are a long-time fan! I hope the pieces continue to give you such pleasure.
I notice a great litho or original watercolor in a local store. It was buried in a batch of much lesser paintings. It catches the eye for sure because of quality and just plain good artistry. I didn’t buy it, but am going back tomorrow to purchase it. It is called View from Telegraph Hill. It is in perfect condition. I have looked on-line and seen that the print is no longer available. I am really impressed and although I looked it up because I thought it might have some monetary value, it just a really gorgeous piece of artwork, and obviously done by a really talented artist. It’s one or yours Mr. Anthony. Do you remember it?
Hello Chris,
Yes, “View From Telegraph Hill” was one of the editions of silkscreen prints I produced in the early 1980s. The batch of Artist’s Proofs I retained sold out a long time ago.
There is a funny story about this “view.” A few months after I finished the print, the movie “Choo-Choo And The Philly Flash” with Alan Arkin either came out or was on TV. As we were watching the opening credits the exact, and I mean exact same view of the San Francisco Embarcadero, Ferry Building and Bay Bridge appeared on the screen. It was obviously filmed from the exact same location and framed the same way as I had done with the print.
I’m glad you like the image and I hope you enjoy it for a long time. Thank you for letting me know.
I am a 50 year old man, but I gotta say I think it’s cool you responded. I am gonna have it reframed. I live in a 100 year old house in Durango Colorado and have been remodeling it for some time. I seem to be getting to the end of it all. One thing that I have notice is that nothing about the house is square. For example, from the top of the closet to the bottom there is a six inch difference and from the front of the house to the back there is a full 12 inches. I guess they didn’t have levels then. But funny thing, I just hung the print up and believe it or not, it’s not framed square. I had to laugh. Maybe I’ll just leave it in the off square frame, it’ll fit right in with everything else. It is a beautiful image, what a great talent you have!
Dear Mr. Anthony,
I believe that I purchased a watercolor of an old barn in 1970 in Vermont at a street fair. It was a good bit of money for me to spend at the time, $280., but I loved it. When we moved to Texas later that year, I selected the stone for our fireplace to match the colors of the painting and it has hung there ever since. Now that I am in my mid-eighties, I am making a list for my children of my most treasured belongings. I entered the name S. Anthony and your website came up. If you think this is not one of your early works, would you be so kind as to let me know? Regardless, I will continue to love “The Old Barn” for the rest of my days. It brings back wonderful memories of summers in New England.
With regards, Joan Pegg Jorgensen
Joan,
I am sure that the painting is one of mine. I did a lot of old New Hampshire and Vermont barns and houses before graduation from Dartmouth in 1970.
Thank you for the nice comment and I am very pleased you love the piece.
Scott
Hello again Joan,
Do you have a digital camera to take a shot of your painting. I would love to know which one it is.
Thanks.
Scott
hi Scott
Did you have any success in re-sizing or fixing the problem with your old watercolour paper. I live in Singapore which is very humid of course and I have experienced this very frustrating problem with nearly all of my better paper. The cheaper watercolour paper seems to have more original sizing and is less effected it seems. I have not tried gelatine but plan to do so. Have you tried that? I did try an acrylic polymer (an airbrush medium) just as an experiment – but no difference it seems. I plan to try a thinned down version of white school glue : you
never know.
Alistair
Hello Alistair,
Thank you for your comment. No, I have not completely solved the sizing problems yet. The only partial success was using very diluted acrylic matte medium evenly brushed on a very wet sheet of D’Arches 300 lb. cold-pressed. That seemed to work fairly well, but with the next attempt the medium was not diluted enough and the paper dried much too hard. Getting the dilution correct will probably work.
Scott
REAL PHOTOS . . . or . . . SCOTT’S SCENES ? ?
REAL PAINTER +++ and +++ BEST BANJOIST ! !
OlyJazz.com GO TODAY —> and THIS WEEKEND ! !
Scott,
I remember it all so well. Your trips out from campus…coming back with a sketch pad full…turning those sketches into watercolors very late at night after I had gone to sleep…the excitement when the Hanover Gallery “took you in”.
It was always very interesting being your roommate!
Congratulations on all that you have accomplished.
Donald
Hello Scott. I am truly amazed at your wonderful talents. Most people are lucky if they can be successful in just one of the arts. You, my friend, I see, have reached the top of the ladder in both music and art. I have been very fortunate in the past, to have had the opportunity of playing music with you. Now with your wonderful website we all can view your beautiful works of art. Congratulations , and thank you for sharing, as you say, “the
beauty of the world.”
Dick Spielman
Beautiful work–a wonderful artistic journey! As a fellow painter I understand what you mean when you say a scene pops into view. Suddenly, there it is!
Capturing the beauty of a scene when the light is right has always been my aim as well. We are fortunate to live near beautiful places and have the time to go out and paint.
Beautiful art work. I and my late husband enjoyed dancing to your music for many years. Thanks for the memories. Mimi
Scott, your paintings are beautiful. I have always been envious of anyone who could paint and you certainly head the list. Wonderful. Wonderful. Barbara and Brian Matthews
Wonderful work, Scott. Thank you for your website.
Fabulous.
Isabelle
Hi Scot –
You are one fabulous artist! Very impressive. Wish I had wall space.
Hello to both of you. I enjoy your music & dancing with Karen.
Bruce
Interesting and impressive, Scott. I have no doubt it’s true. I’m passing this to my friends.